Top 10 Halloween (Horror) Movies

October is ending, and that brings with it the most entertaining and thrilling night of the year… Halloween!!

I am a sucker for scary movies. I love to not being able to look under my bed at night or walk down the hall to my kitchen to grab something at 3 in the AM. I get great pleasure in getting jumpy at the slightest of sounds after I’ve seen a few good horror scenes of a horror movie.

This got me thinking about curating a list of my top 10 Halloween flicks that I have enjoyed over the years. So skip the cinema and have yourself your very own thrill fest with these gems…

                                                                Hocus Pocus (1993):
I remember I saw this one when I was 6 or 7 and it left a huge impact on me in my formative years.  I know it is a bit Nickelodeon/Disney but if you haven’t seen this, you’re not doing Halloween right.

   Donnie Darko (2001):

It’s not your average “Horror” movie; it’s on a different tangent all together.  With the right script and cast, this movie is a cult classic in psychological thriller category. Watch it and try to contemplate what happened…I dare ya!

      Nosferatu (1922):

Kids these days don’t know what the real vampires were suppose to look and do to a mere human (thank you Twilight). Thankfully, we have classic cinema to teach them a thing or two about the actual vampires, you know, how Bram Strokes originally imagined it to be.

   The Amityville Horror (1979):

Oh boy! The best horror movies are those that are inspired by real life events. This is the best example of it. The infamous Amityville Horror is a Halloween treat and a spine chilling movie to enjoy with (or without) family. See what I just did there 😉 You’ll understand when you watch this.

    The Changeling (1980):

A haunted house, a vindictive ghost and Martin Scorsese’s stamp of approval, need I pitch this more?

     Orphan (2009):

What you see is not what you’ll get in this thriller. You wouldn’t believe me if I told you about what goes down in this 2009 thriller/drama. See it to figure out what I’m talking about.

     The Craft (1996):

What happens when four beautiful Catholic school girls decide to run the world on their terms? It’s a more creepier version of Mean Girls to say the least.

     The Addams Family (1991):

My list won’t be complete without mentioning this “all together ookie” family. They scare you, disgust you, confuse you and even make you giggle. Their home is full of dark magic and they find it difficult to adjust to the normal outside world, so they just stay the way they are. We love them!

           Carrie (1976): 

American supernatural horror film based on Stephen King’s 1974 epistolary novel of the same name. The King of horror, Stephen wrote this story so well that to this day, directors try to remake this movie, in the attempt to out shine the next.

  The Wicker Man (1973):

A police sergeant is sent to a Scottish island village in search of a missing girl whom the townsfolk claim never existed.This British mystery horror film is like no other. It has it’s weird moments (look out for songs and dances) but thats a given being a British film, which is great as it brings a whole other cinema into light.

Well, I hope you’ll enjoy these movie recommendations and I hope that you have an uneasy sleepless Halloween night. (Insert evil laugh here)

Trick or Treat?!?!

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Irrational man

irrational-man-wallpaper“Human reason is troubled by questions that it cannot dismiss, but also cannot answer.”- Kant

So what are we talking about here…

Morality? Choice? Randomness of life? Murder?

Taking this philosophical opinion from Kant, Woody ventures into the new tale of his latest movie plot.

Irrational Man is a story of a middle-aged philosophy (Ethical Strategies) professor Abe Lucas (Joaquin Phoenix), who has trouble finding “inspiration to breath” in his life and so, his only option is to drink through his days. He’s simply bored of the sufferings of meaningless day-to-day existence. He’s very radical and original. You either love him or hate him.

Jill (Emma Stone), his young, bright-eyed student who is fascinated by his sufferings, desires to know him on a much deeper level and in doing so falls in love with Abe, and out of it with her serious but naive (young) boyfriend.

One day, “randomness” strikes their lives. A serendipitous encounter causes excitement in Lucas’s life and he thinks he has finally found a reason to live. He finally decides to stop whining and to take actions in his own hands. He calculates his activities in favour of someone he doesn’t know (pure altruism with a dash of selfishness) and this brings his existential crisis to a riveting adventure.

The movie moves back and forth with the voice over narrations of Jill and Abe; one (Abe) voicing his troubles and the other (Jill) trying to figure out those troubles. This is what made the film have a gripping artistic quality about it. The audience is left to choose which side of the argument are they on or want to be at least.

The idea of randomness in life was very well portrayed in Allen’s previous work with Match Point and now this film tries to do the same with the similar idea but in a different light. Getting away with murder in a godless universe is what Allen tries to show through these films; or is it just pure chance that governs our lives?

Almost each (I might be exaggerating) Woody film starts with despair and ‘life is meaningless and there is no god’ but, ends with completely instilling the audience with a hope for a better tomorrow or a second chance.

See, there’s a difference between the theoretical world of philosophy bullshit and the real life (nasty, ugly life). There is the classic economic “Problem of choice” one is confronted with.

What world would you chose to live in? The answer to which can only be found in your “Rationale”.

Irrational Man is an American mystery drama film written and directed by Woody Allen, and starring the brilliant Joaquin PhoenixEmma StoneParker Posey and Jamie Blackley; with great work (yet again) done by Darius Khondji for cinematography. Soundtrack was unlike any other Woody classics but suits the background.

The Irrational man released in 2015 has much homage to works of Alfred Hitchcock (of course, in notable Woody Allen style). It received mix reviews from the critics.

How would you rate it?

 

The Seventh Seal (1957)

The Seventh Seal 1957

“And when the Lamb had opened the seventh seal, there was silence in heaven about the space of half an hour”.   

“Silence in heaven” — or rather the silence of God in the world — is Bergman’s grand theme. This movie contains nothing but knowledge of the unknown. Knowledge, that someone with existential crises (like me) can especially understand. Love, faith, religion, philosophy, God, death; all comes in together to make this beautiful masterpiece.

Considered a great classic of all times (and I vouch for its authenticity), The Seventh Seal can be difficult to comprehend and even more hard to stomach. It is after all a 1957, Swedish noir movie, I don’t expect the modern audience to bear it, much less like it.

It’s the ‘medieval times’, Antonius Block (Max Von Sydow), a Swedish knight returning home from the Crusades with his squire Jöns (Gunnar Bjönstrand) meets Death (Benkt Ekerot) on an abandoned beach and challenges him to a game of chess. If he wins, he lives. (Notice that only Antonius can see Death and no one else) As the story continues, Block and Jöns meet with several others who are evidence to the suffering that the Black Death (plague) has brought upon their land. They find a young girl who is considered a witch for having seen the Devil to be burned alive at the stake. They discover insanity in the eyes of everyone they meet, as each one is certain that God is angry with them and is punishing the world with the black plague. They also find a small group of traveling actors, Jof (Nils Poppe), his wife Mia (Bibi Andersson), and their infant son Mikael, who appear to be the only souls to have remained sane during these troubled times, and are trying to bring joy to others through their plays/acts.  These people may be a little dim, but they are good at heart and you can see the happiness in Antonius’ eyes when he is together with them for the first time. This goes to show that not knowing about God or Death or believing in any socially acceptable customs and religion can make you a very happy human being. It is only when you gain the knowledge of this vacuous beliefs that you start to die or, to put it more nicely; you forget how to truly live.

The game of chess continues at each interval and Antonius inquires Death about philosophically deep questions that are bothering him. Death is ambiguous in answering them. In the end, however, Death is a much better player than any of us, and though he may humor some of his opponents by letting them think that they have the advantage, the end result is inevitable: Death always wins. No matter how skilfully we plan our moves or how determined we are to win, we can never beat Death.

If I start quoting from this movie, I might end up writing the whole movie script. Personally, the dialogues were definitely the real star of the show, as these were extremely stimulating and carefully constructed throughout the film. Almost every line spoken is, in one way or another, daunting and unforgettable. From the first sentence to the last, you won’t be able to listen to your own thoughts. It is that good. I see now where Woody Allen get’s his inspiration from. He considered Bergman as the cinematic genius. And I agree.

With great performances by every actor, the scenes are truly made memorable by the cast. Beautiful cinematography work done by Gunnar Fischer. The Seventh Seal teaches you that even when you are not getting any answers, you don’t stop asking questions.

Existentially poetic, slow paced and gloomy, this Ingmar Bergman’s classic has made a special place with film royalties, inspired numerous spoofs, and exceeded the expectations of both believers and non-believers for nearly half a century. Although it is dark and grim, it still somehow manages to spark hope in you that things might turn out better. Long considered one of the greatest films of all time, Bergman’s medieval production of fighting with inner demons can be difficult to watch but is truly impossible to forget.

A must watch before you die. (There’s an existential joke for you) 😉

the-seventh-seal

Magic In The Moonlight (2014)

“It’s science, it’s philosophy, it’s religion.”

Magic in the moonlight is one such movie where the viewers are divided into two sides from the get go. One side pertains to the heart and the other to the head.  One concerns logic and the other mystic. One relates to cynicism and the other of course to optimism.  As is the main theme to many of his movies, Woody strikes yet again with another thought provoking work of genius.

Set in very Gatsby-esque scenes in the South of France, the film surrounds a wealthy family, a world famous magician and a clairvoyant. In the affluent Catledge family we have the widowed mother Grace (Jacki Weaver), romantically naive son Brice (Hamish Linklater), and daughter Caroline (Erica Leerhsen). Enjoying a great deal of appreciation for his acts as a world class Chinese conjurer going by the stage name of Wei Ling Soo, not many know that the real Wei Ling Soo is a disguise of Stanley Crawford (Colin Firth) an arrogant Englishman with sky high opinions of himself and a natural dislike towards phony spiritualists and optimists. When Stanley is convinced by his friend Howard Burkan (Simon McBurney) a not so well known magician, to unmask the clairvoyant, Stanley immediately agrees to do so. He presents himself as a businessman named Stanley Taplinger in order to debunk the alluring young spirit medium Sophie Baker (Emma Stone) who is staying there with her mother (Marcia Gay Harden).

Sophie arrived at the Catledge villa at the invitation of Grace, who is convinced that Sophie can help her contact her late husband, and once there, attracted the attention of Brice, who has fallen for her head over heels. What follows are series of magical events that sends the characters and audience whirling. In the climax lies the biggest trick of all. Not even the critics could’ve thought of that.

Stanley (Colin Firth) is a middle aged skeptic, a scientific and a logical man. He does not believe in paranormal activities and is very argumentative on the subjects of magic and spiritual being. Sophie (Emma Stone) on the other hand is a young, cheerful, mystical spirit medium who believes in after life and the goodness in everything. The film revolves around how Stanley tries to debunk Sophie and prove for once and for all that there is not more than meets the eye; that we are born and even after committing no sins are still sentenced to death and that there is no God. But could she be the real deal? Will she be able to spark a change in Stanly with her beautiful gift?

During Séance Session

During Séance Session

Many have argued about the casting choice of the main leads (Firth and Stone) due to the age discrepancies, but I feel that it couldn’t have been better: he must be old enough to develop his pessimistic ways, and she must be young and beautiful enough to defy them at first sight.

There is no denying that there are all kinds of people present in this planet- the mystics, pragmatic, happy, unhappy, believers and non-believers. The point that Woody wants to make is in an interrogative form, which is that: whether the unhappy nonbelievers have really made science and proofs as their defence mechanism to prevent themselves from irrationally falling in love?  The way the movie tries to entangle the web of materialism and mystery, of rationale and irrational is where the beauty of the filmmaker that is Woody Allen, cannot be unseen or critiqued.

Our world has reached a point where it holds Science as the ultimate power. We live in a materialistic world with conservative views- views which believe that modern science has completely eliminated the slightest of possibility of spirit, the hereafter and God Almighty. This is what this movie tries to showcase and also examines to discover the psychological relationship between accepting that world-view, and being pessimistic and unhappy.

Dealing with such heavy subjects like religion, philosophy, love and the universe and then presenting them with such ease that it looks good and enjoyable but still manages to engross the audience with the questions that he himself is searching for through his art; this is what true magic is like on a big screen and Woody is not new to that. Many are not able to see that and I feel sorry for them.

Actors casted for the movie did their job so well that you cannot imagine anyone else doing these roles.  The part of Aunt Vanessa played by the very talented Eileen Atkins is sheer perfection. Movie’s soundtrack is what anyone would expect form an Allen classic. The cinematography, capturing the beautiful landscapes of French Riviera on reel is done splendidly by Darius Khondji who was nominated for Lumiere Awards, France 2015.

The movie scores a decent rating on major reviews but who is to say what’s right, right?

A Midsummer Night’s Sex Comedy (1982)

Movie Poster

“The saddest thing in life is a missed opportunity.”

If dirty is on your mind, then you are far-off the subject than you could be. If funny is on your mind, then you are a little to the left from where you’re ought to be. And so help you God if you think that it has anything to do with Shakespeare. If all this was on your mind after reading the title, then my friend Woody has got you hooked. Like him or not, he sure knows how to demand the attention from his audience and critics like wise.

When the production on Zelig (1983) was stalled, Woody had a chance to pen this confusion down in no less than two weeks. Filming it in as many months. A Midsummer Night’s Sex Comedy is one of Allen’s most confusing theme for a movie. It’s got nothing to do with any genre that is typically found out there on any movie database that I could agree with (even though some sites termed it as a romantic comedy). This film is inspired by Ingmar Bergman’s Smiles of a Summer Night — not the plot per se but the tone. AT least that’s what the media says.

The story is based on three elements- three couples’ romantic complications, mid-summer weekend vacation and supernatural happenings. Couples in the story are: Andrew (Woody Allen), accountant and inventor; his sexually repressed wife Adrian (Mary Steenburgen); Leopold (Jose Ferrer), Adrian’s uncle and University professor; Leopold’s sexually adventuresome fiancé Ariel (Mia Farrow), who Andrew once dated; Maxwell (Tony Roberts), an incessantly horny doctor, who is also Andrew’s best friend; and Dulcy (Julie Hagerty), Maxwell’s nurse and FWB (friend with benefits). But you won’t be made to pay too much attention on the characters. This move is not about the characters but about what and how they survive this vacation.

It possesses a little slapstick funny moments and much more confusion, both within the plot and the characters. Woody himself didn’t crack any jokes. This movie was however significant in one way; it was the first time that Woody shared the screen with Mia Furrow.

The film progresses in a rhythm wherein one is unable to grasp fully what is the message that it is trying to send across. Although on observing again, I figured that this message is discussed in the very first scene of the film. Points like: “Nothing is real but experience- that which can be touched, tasted, felt or, in some scientific fashion, proved.” “We must never substitute qualitative events that are marked by similar properties and recurrences for fixed substances.”  “Metaphysical philosophers are men who are too weak to accept the world as it is.” “Apart from this world there are no realities.” The whole argument in this first scene is how the theme is set for the movie.

The Spirit Ball

The Spirit Ball

The element of supernatural is brought in by Allen’s character Andrew who has invented a “Spirit ball” which can communicate with the spirit world. Andrew believes that there is more to life than what we perceive with our five senses. When Leopold dies (the night before his wedding to Ariel) due to a heart attack caused by having amazing sex with nurse Dulcy (as he discovers through the Spirit Ball that Ariel is cheating on him with Andrew), just then a light emerges from the Spirit Ball and it’s Leopold’s voice that they all hear. He tells them that he is amongst the spirits in the enchanting woods who died at the hight of love making and that Andrew was right about his theory of ‘there is more than meets the eye’. This light then goes out and vanishes in the dark and the rest of the gang just watched it in awe and amazement. The End!

This is not a terrible movie at all. It’s a good one time watch or even two (who’s counting) if that’s how long it takes for you to understand the moral of this story. It taught me that opportunities should be grabbed as it comes. You only live once and you should not live it in fear or disappointment of ‘what if’s’ and ‘could haves’.  We should not take others for granted and that time is of the essence when it comes to love. Others might dis it and regard it as a waste of time but try and see the good in everything and you might learn a thing or two.

Mia Furrow was apparently nominated at the Razzie Award for Worst Actress. That’s the first and the last time that any Woody Allen movie actress got to have such kind of ‘honour’. Woody Allen has said of Mia Farrow’s performance anxieties on this movie: “I calmed her but I was not completely sympathetic, because I didn’t realize the dimensions, the gravity. I knew she’d be wonderful in it. It never occurred to me she’d disappoint me”. Every other character however played their parts to the T and were captivating. Gordon Willis was the cinematographer on this and the movie was filmed almost entirely outdoors. The role of Ariel was initially made for Diane Keaton but she was busy with promotions of her movie Reds and so, Mia took over. This was Woody Allen’s first movie for the fledgling Orion Pictures, whose executives had run United Artists and produced Allen’s movies for that company.

Not a great soundtrack compilation on this one. In fact, there weren’t much to begin with. No typical jazz tracks as is known a staple in Allen’s work. But then again, it didn’t need any major conductors. The film did not win any awards for obvious reasons. Although it scored 6.7 on IMDB and 76% on Rotten Tomatoes. You be the judge. Check it out and send in your reviews in the comments below. Check out the trailer below; hopefully it will get you excited to watch it.

Interiors (1978)

Interiors_Woody_Allen_1978

After a much acclaimed success of Annie Hall in 1977, Woody Allen began a new project; a new film that will make his critics, audience and everyone else see him in a different light. The “Early funny ones” bracket of movies is not what Allen wanted this time. Even with Annie Hall, Woody said that he ‘compromised’.  With Annie Hall he had wanted to make a deeper and more meaningful artwork but found himself retreating to his safe spot, i.e., comedy. Everyone would now agree that comedy did Annie Hall a lot good than bad. United Artists earned a great deal of income and the film went on to winning an Oscar for Best Picture.

I guess Woody now wanted to tread in uncharted territory; and thus made a movie that was far away from funny. Released in 1978, Interiors is Allen’s most dramatic/serious movies till date. The movie is a perfect inside look at a crisis in a modern age family living in New York. The three sisters (all women in their early-to-mid 30s) , the talented one, a writer Renata  (Diane Keaton) who based everything on art and believed in it firmly had now come at a point in her life where she is questioning herself and worrying about posterity and whether or not she has done enough in her life. She is married to Frederick (Richard Jordan), an alcoholic, arty-crafty, abusive novelist who hates both himself and his work. They are constantly in need of approval and validation, but they are unable to accept compliments.

“I can’t seem to shake the real implication of dying. It’s terrifying. The intimacy of it embarrasses me.”

“I can’t seem to shake the real implication of dying. It’s terrifying. The intimacy of it embarrasses me.”

The actress, the prettier one, Flyn (Kristin Griffith) who seems happier than anyone else in the movie but is made fun of both in the family as well as in her career. She represents empty sensuality. The third sister, the protagonist (according to me), a searcher for meaningful occupation Joey (Mary Beth Hurt). She is shown as a character who has deep intuitive feelings about everything artistic and creative but she has no talent (I personally relate to her a lot). She finds it hard to focus on one thing when her mind is off focusing on something more meaningful. She lives with a filmmaker (Sam Waterston) who seems like the only nice guy in the entire family as he puts up with her and supports her in every way imaginable without losing his wits.

"I feel the real need to express something, but i don't know what it is I want to express or how to express it."

“I feel the real need to express something, but i don’t know what it is I want to express or how to express it.”

These daughters were victimize by the family’s mother, Eve (Geraldine Page) an interior decorator and a restricted individual who felt the need for everything (including the interiors) to be perfect and in exact order at the expense of the whole family. She once had total self confidence and poised elegance, a reason why the girls’ father, a wealthy lawyer Arthur (E.G. Marshall) married her long ago. She maintains a very pale color scheme in her designs; a lot of blues,ice grays, pastel greens, whites, etc. Which somehow shows the vibe she now tends to give off (cold). Thus, the title Interiors seems apt for this feature. Eve is suffering from severe case of depression and gets overly dramatic about anything that tics her. She even tries to commit dramatic suicide. 19-Interiors Her husband one day breaks the hard news to the family saying that he has done more than enough for them and that he now feels the need to take some time off from his responsibilities and take a break from his marriage. The family is completely taken aback and tries to make sense of this sudden befallen tragic episode in their lives. They however seem to understand his view point and decide to take care of mother while father takes his ‘break’.

The 'cold' mother

The ‘cold’ mother

The 'warm' vulgarian

The ‘warm’ vulgarian

Time passes by… Into this mess now comes, Arthur’s new girlfriend Pearl (Maureen Stapleton) he met her during his break time, who is referred to as a “Vulgarian” by Joey. A lively, simple and happy person who loves to tell stories and wear bright colors (the only one who does that in this entire movie). Arthur, seeing what he was missing all these years of his life, then decides to divorce Eve and marry Pearl. The girls find her a complete antitheses of their mother and what they’ve been brought up to love and respect.The family breaks down even further. Eve decides to commit suicide once again by drowning and is successful at that. And now, somehow Pearl seem to give their family a new meaning and direction at the end. A more fit mother to be to these girls. One hopes at the end that this new women brings in warmth into their lives. Whether that is achieved, is not quite told.

Interiors is a great psychoanalytical case study of one particular family who seem perfect on paper but are so deeply messed up that one might like to think that too much of perfection can turn against you and do more evil than good.

Woody is not seen in the entire movie, which came as a shock to the audience back then as it was the first time that he didn’t star in his creations. The amazing direction was such in this movie that we are not shown anyone else in it except the members of this family, as if they lived in their own spooky world. They seem socially disconnected from the world outside and emotionally disconnected with each other. Gordon Willis photographed the movie with immense color control that it needed. There are no major soundtracks. It almost feels like a foreign movie that Woody made inspired by Ingmar Bergman films. Interiors went on to winning major awards like, BAFTA in 1979 for Best Supporting Actress to Geraldine Page, New York Film Critics Circle Awards in 1978 for Best Supporting Actress to Maureen Stapleton and was also nominated under various categories at the Oscars in 1979.

There is a lot more to this movie than I can write down. It’s a shocker and a good one at that. At least for me. Now, instead of watching it as a serious movie, you might learn a thing or two by watching it as a movie with no funny business. I did. 🙂

Sweet and Lowdown (1999)

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Love vs. Passion

If you were the greatest guitar player in the 20’s-30’s jazz era, (second only to Django Reinhardt) would you consider giving it all up for love? Is there any contest between love and passion to a true artist? What if it was only when you have found and lost the love of your life that you can bring out the best of you in your performance? Well, I don’t expect anyone to find out the answers to these provocative questions, but it does make you wonder “What If?’’

Sweet and Lowdown is as bitter sweet as the title suggests. It celebrates the kind of classic 1930’s jazz that has been played through the soundtrack of many a previous Allen film, and that finally has the chance to occupy center stage. Like several of Allen’s other films (e.g.Zelig), Sweet and Lowdown is occasionally interrupted by interviews with critics and biographers like Allen, Nat Hentoff, and Douglas McGrath, who comment on the film’s plot as if the characters were real-life people.

A mockumentary about a fictional, 30’s traveling jazz guitarist Emmet Ray (Sean Penn), who embodies the debonair and the spirit of the music that he plays and is yet; for the lack of words, gut-wrenching when off stage. He admires Django and yet calls him “this gypsy in France.” Every time he sees his superior he faints or runs away. Which provides quite a few laughs in the film. Emmet boasts of his skills on guitar, which is indeed magical. He is also a kleptomaniac, a trait which has not been psychoanalyzed in this movie. Emmet’s idea of a great time is shooting rats at the dumpster; here too the audience enjoys a good laugh and tries to figure out, how can a man who creates magic on stage can be so repulsive?

Emmet is a very complex and frustrated individual for whom one develops equal amounts of disgust and pity as an audience. He has an egotistical bravado and is interestingly dysfunctional.  He sees himself as charming and romantic as opposed to sad and lonely which is a fact. What we are told about him is that, what’s making him second best in his field is the fact that his music lacks emotions. He is anything but emotional. He goes from women to women with meaningless liaisons and prefers it this way.

Emmet: ”I’m an artist. I like women but they gotta have their place.” 

All this changes when he meets Hattie (Samantha Morton) a mute laundress. She is drawn to Emmet’s music and enjoys spending time with him. Emmet on the other hand is not very pleased to meet her but gradually starts falling for her, for she never has anything to say which makes her the perfect match for Emmet who loves to chat. They move to Hollywood where Hattie is casted in a movie wherein she has to kiss a handsome lead actor. She takes dozens of retakes while doing so and is said to have gone in a “Small coma after 30 takes.” Now Emmet feels like he has been sidelined (feeling jealous of Hattie’s success) and so decides to move back home. Being the free willed he is, Emmet soon abandons Hattie for Blanche (Uma Thurman) a socialite/ author with a penchant for artistic men.  They both get married. Blanche is fascinated by the worldliness of Emmet and keeps making notes about him in her notepad

Blanche: “Wow, not only are you vain and egotistical, but you have genuine crudeness!”

She digs deep into Emmet’s lack of emotions and confronts him one day to break him the harsh reality.

Blanche: “You keep your feelings all locked up, so you can’t feel anything for anyone else. I’ve never met anybody so afraid to show their feelings.”

Blanche, in next to no time leaves Emmet for a hit-man (to everyone’s amusement) who engulfs her with stories about mob intrigue.  In the end, Emmet realizes what a huge mistake he did on letting Hattie go. He decides to get her back but soon comes to know that Hattie is now happily married and is raising a family.

Emmet finally breaks down in tears and realizes that he “made a mistake” (in leaving Hattie). The narrator then points out to the audience that from that point on Emmet was in every way Django’s equal.

Sweet and lowdown was an emotional comedy. Stars like Sean Penn and Samantha Morton brought Emmet and Hattie to life. With 3 wins and 13 nominations for various prestigious awards, the movie was one of the better celebrated works of Allen.  The film with its approach to seem more real than fiction; tries to integrate both the aspects to the T. Woody sure knows how to mix music and drama on the big screen in which love triumphs all.

Apart from the drama, what stood out more was the beautiful jazz soundtrack. The credit of course goes to Dick Hyman for arranging and conducting the music for the film and to Howard Alden for the guitar solos and coaching Sean Penn on playing those solos for his role in the film.

Sweet and Lowdown was well received by the audience and holds fresh ratings (78%) on Rotten Tomatoes and a 70 on Metacritic, indicating favorable view. It is a charming, light-hearted comedy with quality acting. A must “Must watch.”